Episode 30: War Photography

Happy Memorial Day all! (At least to our U.S. listeners...) Thank you for your patience in us getting this episode up and running. We promise not to disappoint, though, and we have a longer episode... so enjoy!


As a part of recognizing this day, we had photography professor Travis Lovell help us in a discussion about the photographers behind the images--many of which have become icons in our culture.

 

During the Crimean War (the first war with photographer Roger Fenton), the set up to get images was nothing short of massive. If photographers complain today about having to cart around a bag of things, it might be good to remember early photographers had to not only carry their gear, but also their darkroom with them!

Because the collodion processes being used took time for set up and exposure, the images from the Crimean war were often staged. They were also meant to be propaganda to show all those nay-Sayers back home what a noble and purposeful war this was! (In case you didn't know, the Crimean war was England's Vietnam...)

Alexander Gardner

Rebel Sharpshooter by Alexander Gardner

The Civil War, also, was more aftermath than action pictures for the same reason. You end up with a lot of questionable staging, such as the pictures above. One was taken where the soldier died and the other, his body was moved to another location for a photo op. Which do you think is the original?

Raising of the Flag on Iwo Jima by Joe Rosenthal

The Kiss by Alfred Eisenstaedt

World War II  brought about some of the most patriotic and well known photographs.

General Loan Executing a Viet Cong by Eddie Adams

Children running from their burning village. Nick Ut won a Pulitzer Prize for this image.

Vietnam was open for photographers and journalists, which resulted in future wars being more greatly censored. Photographers, too, learned the power of images. Eddie Adams hated his own photograph because of the negative view the public had towards General Loan after this image became public.

Survivor of Hutu Death Camp James Nachtwey

Many war photographers continue to highlight incidents that are not only newsworthy, but help to inform the public about things they don't see and that happen in and as a result of war. There are other images, such as those at Abu Ghraib*, which are now taken by soldiers themselves, While not all are like this, it gives us a different view of war based on what the soldiers see day-to-day.

If you find the developments of photography interesting, watch the video here, where Travis also discusses with the team from Framed Network the history of photography. You can also see some of the work Travis produces on his website.

*We discuss these images on the podcast, but because of the disturbing nature of these photographs, we will allow you to search those, if you are interested.

Looking back! (Lost Pieces of Art Revisited)

With summer, we are still working out the flow of getting episodes to you. Thank you for your patience! For now, we thought we'd bring back an old episode and make it available to you on the podcast. So listen on the right, look over the images (again or fir the first time) below, and be looking forward to a new episode on May 23rd!



As the title of this episode indicates these pieces are...well... not really around anymore. What we do have for you to look at here are either sketches and illustrations of what we believe it may have looked like according to written record, photographed replicas, and even other examples of the artists' work discussed.

Babylonian Gardens

The Babylonian Gardens were not only beautiful, according to legend, but being in modern-day Iraq, would have also been an amazing feat of architecture with its intricate irrigation system.

 The Colossus of Rhodes is another piece that only lives in written record. The image on the left is how it was thought by some historians to have been built, though the image on the right is probably more accurate in terms of the statue being more contained.

Primevera by Botticelli

While the pieces discussed in the podcast were lost and we can't even account for what their subject matter would have been prior to the fire, this is an example of the typical Botticelli mythical scene that would have been viewed by Savonarola as sinful and needing to be destroyed.

Sir Henry Irving

 Mary wasn't very forgiving of this actor who cut up his painting because he wasn't pleased with what he saw.

Stonebreakers by Courbet

This was the one piece that we still have record of thanks to photography! The original was destroyed in transport to safety during WWII.

The image on the left is a piece by Graham Sutherland, a painter who did a portrait of Winston Churchill that was destroyed by Churchill's wife. She didn't like the weakened state it showed him in, so today all we have left are paintings and photographs such as the one on the right, showing Churchill as the leader we remember him as.

What pieces of art do you wish we could have seen?

If you have topics in art history you're just itching to hear more about, leave us a comment or email us at: uvu.artsandfacts@gmail.com.

Episode 29: Zine's

This is as close as we'll ever get to a centralized, often reproduced type of image that could loosely be called "punk art." The great part of it is, the mindset behind 'zines and the punk spirit of rebelling against conventional images is the same driving force in art that has kept it changing over millenia. For the 'zine movement, it's all about contributing. It doesn't matter what the final product looks like--it's so much more important that the creation of a 'zine shows that someone somewhere was able to muster up enough passion to contribute something instead of just whining about what everyone else was creating. Listen as we talk about how 'zines got appropriated by different groups in order to find a voice that no other medium would give them.


Here is our version of a Zine...and of course, it's about art history!

If you have topics in art history you're just itching to hear more about, leave us a comment or email us at: uvu.artsandfacts@gmail.com.

Summer is here!

Due to finals at UVU, we have gotten a little off on our schedule, but no worries! The latest episode will be up by Sunday the 29th with a special blog post by Julia and Mary.

Also during the summer we will be putting new episodes up every other week, with oldie but goodies in between. Be on the lookout, especially, for our first videos to start coming your way soon!

Episode 28: History of Animation with Aaron Bristow

It all started with photography, as all good things do. Eadweard Muybridge was brought in to settle a bet: did a horse pick up all four hooves while running? It was the first time in history that motion that the eye can't see could be captured and reveal the mysteries of motion.

Not long after, people got this idea in their head to create all sorts of fun characters, such as Gertie the Dinosaur, or using animation in documentary format.

Humorous Phases of Funny Faces

Gertie the Dinosaur

Sinking of the Lusitania

Of course we can't forget the leader in animation, from Steamboat Willie, the first full length feature animation, Disney!

And with the groundbreaking film Toy Story Pixar is taking the newest form of 3D animation (CGI) to Infinity... and BEYOND!

One last treat, make sure you watch Aaron Bristow's Darned Little Devil--a UVU student production-- and check out his YouTube page or blog at www.aaronshardwork.blogspot.com.

What are your favorite animations?

Print Giveaway Winners

To all of those who participated in Arts & Facts' first giveaway, thank you! We will be trying this again in the fall, highlighting other amazing artists from UVU, so be on the lookout for that!

The winners for this drawing are:

1. Cassie Webb
2. Kim Siegfried
3. Anna Gehmlich
4. Michelle Chandler

If your name is on this list, you can email us at uvu.artsandfacts@gmail.com and we will get you your print as soon as possible!

Episode 27: Brunelleschi

It all started with a contest. The Florence Baptistery needed new doors so a contest was held to find the best artist for the job. A great rivalry was born when Ghiberti and Brunelleschi tied for the commission. Brunelleschi stormed off to Rome where he studied the Roman ruins and learned about engineering.

Meanwhile, “Our cathedral has been dome-less for 100 years! We need to find the man who can put a dome on the cathedral! The first contest worked so well, let’s have another one!” said the leaders of Florence.

 Here we go again…

 “Hmmm”, said the leaders of Florence, “Brunelleschi knows his stuff, but Ghiberti is so easy to talk too! Let’s hire them both!” 

How will Brunelleschi solve this little problem? Will he run away to Rome again? Of course not! He’s got this. What he needs to do now is get rid of Ghiberti…

Dun, dun, dun.

What do you think? Do you think Brunelleschi was really sick?

Florence Baptistery Doors, Ghiberti

Brunelleschi's dome

Statue of Brunelleschi in Florence Cathedral